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Edited works
Hilma af Klint and Piet Mondrian: Forms of Life
This exhibition book features works from Hilma af Klint and Piet Mondrian never before seen in the UK.
Although they never met, Hilma af Klint and Piet Mondrian shared a deep dynamic connection to the natural world and began their careers as landscape painters. For them, science and mysticism were not exclusive practices, but part of the same essential framework for understanding the life forces around them. Both artists engaged with science and esoteric thought as tools for exploring the underlying structures of nature and how they give meaning to art and life.
The catalogue explores both artists’ practices in rich detail. Natural forms are abstracted to their atomic levels; cells evolve, dividing and expanding the canvas in colour; sinuous stems spiral into the ether whilst the crystalline formations of grids stretch out to form an infinite universe.
Although they never met, Hilma af Klint and Piet Mondrian shared a deep dynamic connection to the natural world and began their careers as landscape painters. For them, science and mysticism were not exclusive practices, but part of the same essential framework for understanding the life forces around them. Both artists engaged with science and esoteric thought as tools for exploring the underlying structures of nature and how they give meaning to art and life.
The catalogue explores both artists’ practices in rich detail. Natural forms are abstracted to their atomic levels; cells evolve, dividing and expanding the canvas in colour; sinuous stems spiral into the ether whilst the crystalline formations of grids stretch out to form an infinite universe.
Yoko Ono: Music of the Mind
This extraordinary hardback exhibition book contains new research and writing on world renowned Japanese multi-media artist, singer, songwriter and peace activist, Yoko Ono.
Yoko Ono is an artist who has made an indelible mark on contemporary culture and political activism through her radical and innovative practice. This remarkable and essential publication, developed in collaboration with Yoko Ono and her studio, traces in full the evolution of an artist whose visionary spirit has transcended boundaries and challenged conventions.
Accompanying the survey exhibition at Tate Modern of the same name, Music of the Mind explores the world of Yoko Ono and reveals the profound impact of her art on the collective consciousness of our time. The exhibition catalogue features previously unpublished photographs from her involvement at Indica Gallery, London, Sogetsu Art Centre, Tokyo and her loft on Chambers Street in New York.
Yoko Ono is an artist who has made an indelible mark on contemporary culture and political activism through her radical and innovative practice. This remarkable and essential publication, developed in collaboration with Yoko Ono and her studio, traces in full the evolution of an artist whose visionary spirit has transcended boundaries and challenged conventions.
Accompanying the survey exhibition at Tate Modern of the same name, Music of the Mind explores the world of Yoko Ono and reveals the profound impact of her art on the collective consciousness of our time. The exhibition catalogue features previously unpublished photographs from her involvement at Indica Gallery, London, Sogetsu Art Centre, Tokyo and her loft on Chambers Street in New York.
Radical Landscapes
The first of its kind, this invigorating exhibition book investigates the British landscape as a site of artistic inspiration, action and a heartland for ideas of freedom, mysticism, experimentation and rebellion. Contributions from campaigners, naturalists, environmentalists and social historians explore art in the age of the climate crisis.
Throughout the twentieth-century artists have responded to the landscape in emotional, physical and political ways: from exploring themes of belonging to the land by interrogating the relationship between landscape history and identity, the enclosure or militarisation of land, to artists creating works that harness or dramatise natural earth processes. As the custodian of the national collection of British art, Tate’s climate emergency declaration points to a wider concern and care for the environment that underpins the themes in the Radical Landscapes exhibition.
Structured on three broad thematic sections; ‘Trespass’, ‘Landscape and Identity’, and ‘Climate Breakdown’, it features around 100 works from 1900 to now, and presents a radical and outward-facing image of Britain and its diverse peoples and landscapes to the world. Focussing on activism and how we value, care for, use and draw meaning from the natural landscape, the catalogue showcases an array of viewpoints reflecting the diverse perspectives in modern Britain, examining the artists’ relationship to the landscape, and social history as a stimulus for the imagination as much as action and protest. These conversations are a rare opportunity to reframe Tate’s holdings of landscape art as well as explore how we might commune with nature and collectively work towards a more sustainable and equitable future.
Throughout the twentieth-century artists have responded to the landscape in emotional, physical and political ways: from exploring themes of belonging to the land by interrogating the relationship between landscape history and identity, the enclosure or militarisation of land, to artists creating works that harness or dramatise natural earth processes. As the custodian of the national collection of British art, Tate’s climate emergency declaration points to a wider concern and care for the environment that underpins the themes in the Radical Landscapes exhibition.
Structured on three broad thematic sections; ‘Trespass’, ‘Landscape and Identity’, and ‘Climate Breakdown’, it features around 100 works from 1900 to now, and presents a radical and outward-facing image of Britain and its diverse peoples and landscapes to the world. Focussing on activism and how we value, care for, use and draw meaning from the natural landscape, the catalogue showcases an array of viewpoints reflecting the diverse perspectives in modern Britain, examining the artists’ relationship to the landscape, and social history as a stimulus for the imagination as much as action and protest. These conversations are a rare opportunity to reframe Tate’s holdings of landscape art as well as explore how we might commune with nature and collectively work towards a more sustainable and equitable future.
An Alterable Terrain: Rhea Dillon
In An Alterable Terrain, artist Rhea Dillon takes material histories and black feminist epistemologies to establish the elements – including the eyes, mouth, soul and hands – of an amorphous, imagined body. Viewed together, these disparate elements underline the foundational role black women’s physical, reproductive and intellectual labour has played in the history of the British Empire.
Edited by Dillon and featuring original contributions by writers, artists and thinkers including Patricia Noxolo, Françoise Vergès, Katherine McKittrick and Vanessa Onwuemezi to name a few, An Alterable Terrain is a singular artist book, and a unique record of an extraordinary body of work.
Edited by Dillon and featuring original contributions by writers, artists and thinkers including Patricia Noxolo, Françoise Vergès, Katherine McKittrick and Vanessa Onwuemezi to name a few, An Alterable Terrain is a singular artist book, and a unique record of an extraordinary body of work.
Ithell Colquhoun: Between Worlds
A landmark publication on an artist whose life has largely been shrouded in mystery, this dazzling volume reveals a daring visionary who charted her own course between two worlds: that of modern art and the realms of myth and magic.
Ithell Colquhoun (1906–1988) was one of the most ground-breaking artists of her generation. An important figure in British Surrealism during the 1930s and 1940s, she was also an innovative writer and practicing occultist, inspired by the metropolises of London and Paris as well as by the ancient landscape of Cornwall. Colquhoun investigated surrealist methods of unconscious picture-making and fearlessly delving into the realms of myth and magic, exploring the possibilities of a divine feminine power as a path to personal fulfilment and societal transformation.
Published to coincide with the first major exhibition of Colquhoun's work, this major publication features over 200 artworks and archival materials in tracing the artist's evolution: from her early student work and engagement with the surrealist movement, to her fascination with the intertwining realms of art, sexual identity, ecology and occultism. It culminates in a room dedicated to Colquhoun’s interpretation of the Taro deck – her most accomplished fusion of her artistic and magical practice.
Ithell Colquhoun (1906–1988) was one of the most ground-breaking artists of her generation. An important figure in British Surrealism during the 1930s and 1940s, she was also an innovative writer and practicing occultist, inspired by the metropolises of London and Paris as well as by the ancient landscape of Cornwall. Colquhoun investigated surrealist methods of unconscious picture-making and fearlessly delving into the realms of myth and magic, exploring the possibilities of a divine feminine power as a path to personal fulfilment and societal transformation.
Published to coincide with the first major exhibition of Colquhoun's work, this major publication features over 200 artworks and archival materials in tracing the artist's evolution: from her early student work and engagement with the surrealist movement, to her fascination with the intertwining realms of art, sexual identity, ecology and occultism. It culminates in a room dedicated to Colquhoun’s interpretation of the Taro deck – her most accomplished fusion of her artistic and magical practice.
The Wilson Sketchbook J.M.W Turner
This stunning book is a beautifully produced near-facsimilie of JMW Turner’s sketchbook collecting and reproducing Turner’s ‘Wilson’ studies. It even includes the section in which Turner used his sketchbook upside down in his haste to sketch!”
Of the nearly three hundred sketchbooks now in the care of the Clore Gallery, the little book reproduced here is one of the most delightful and fascinating. It marks an important stage in the development of Turner’s practice as a draughtsman and was in use when he was only 21 years old. Originally marked with ‘Copies of Wilson’ on the cover, this charming little book is a testimony to the phase of studenthood in Turner’s development, Richard Wilson being the supreme exponent of landscape painting in eighteenth century Britain, and Turner’s hero and chief model.
This edition of the sketchbook reproduces all these beautiful drawings and watercolours, with an illustrated introduction by Turner expert Andrew Wilton discussing their background and impact.
Of the nearly three hundred sketchbooks now in the care of the Clore Gallery, the little book reproduced here is one of the most delightful and fascinating. It marks an important stage in the development of Turner’s practice as a draughtsman and was in use when he was only 21 years old. Originally marked with ‘Copies of Wilson’ on the cover, this charming little book is a testimony to the phase of studenthood in Turner’s development, Richard Wilson being the supreme exponent of landscape painting in eighteenth century Britain, and Turner’s hero and chief model.
This edition of the sketchbook reproduces all these beautiful drawings and watercolours, with an illustrated introduction by Turner expert Andrew Wilton discussing their background and impact.
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